So I have my review about red epic W Helium 8K and from exterior appearances, it looks a lot like some of the other DSM c2 products.

being a cave resolution 8192 by 42 43 20 and now it’s an 8k upgrade at NAB and their upgrade path that own carbon fiber weapon bodies.

Raw Capture

• the red helium 8 K is able to also capture at a compression rate of 5 to 1 / 12 bit internal but it takes that 12 bit data and converts it into a 16-bit image dynamic range.

Dynamic Range

• the red helium 8 K has 16 stops of dynamic range or more if you choose to enable their HDR video features.

• the red helium 8 K is able to capture up to 8k full frame that gives you a tremendous amount of flexibility in post-production especially when you’re delivering to 4k or 2k.

Performance

the red epic w camera features the compact and intuitive design of the DSM c2 form factor as well as the new helium-8 k s35 sensor.

in the hands of the many epic w captures 8k full-frame motion at up to 30 fps produces ultra-detailed 35.4-megapixel stills and offers super 35 lens coverage.

additionally, epic w is capable of incredibly fast data speeds up to 275 megabytes per second.

epic w’s 35 million pixels capture subtle features and tiny nuances that can’t be seen at lower resolutions at 35.4 megapixels that’s 4x more resolution than 4k and over 17x more resolution than HD.

8k resolution offers more than just incredible detail it delivers countless possibilities for reframing vfx visual effects motion stabilization, super sampling footage, and more resolution.

the epic w is capable of recording redco draw in proxy 4k apple prores or avid dnxhr hd formats.

Frame Rates

If I talk about frame rates I was able to shoot 8k at 60 frames per second a point that’s awesome and nuts and the 120 is in 4k so I was able to shoot 4k at 120 frames per second and 240 frames per second at 2k a reason that many cameras are able to do that.

when you switch over to 60 p on the red the compression rate actually drops to 12 to 1.

Color

it is dramatic and high contrast and really pushed the color grade, the red color science, on the other hand, is actually equally as impressive and if I’m completely transparent in some cases it actually edges out or beats.

Image Quality

a new standard for making 8k accessible to professional filmmakers with superior image quality and best-in-class resolution.

epic w with helium-8 ks35 sensor allows content creators everywhere to deliver ultra detailed still and motion images.

if you shoot this camera at its native 800 iso the image quality is absolutely some of the best that i’ve seen there really nice highlight roll off and absolutely tons of detail.

for the pixel peepers out there 8k equates to about 35 million pixels that’s high in stills camera territory technically the sensor is twice as many pixels as a 6k so the images are going to be amazing.

the weapon 8k s35 epic w combines advanced color science with incredible dynamic range the result is cinema quality imagery with vivid colors plus detailed shadows and highlights to produce the most realistic images imaginable for cinematographers.

Camera Body

the body is actually made of this aluminum alloy so it’s all metal all around as you can see where the weapon is made of carbon fiber so the weight is actually different that’s a big draw.

red epic w got the titanium lens mount on it it’s already got a wooden camera side mount on there.

this camera just feels great in your hands it has some weight to it it’s not like these tiny little cameras that you’re gonna see and feel every single shape you can put this in your hands you can put on a shoulder rig and it just feels sturdy.

the new epic W body is cleaning the simplified red has made mounting monitors and accessories easier than ever with this new body one of the great things about red is modularity.

Camera Sensor

A big factor for this camera is a new helium-8 ks 35 sensor.

8k sensor is amazing it’s going to capture what you throw at it if you want to throw soft blurry anamorphic milk bottles that are very precise technical lenses.

it’s super overkill for a youtube so the helium sensor comes in two different red bodies in the weapon and the epic W.

the epic W is a brand-new addition to Red’s lineup with a modular system that’s such a big part of the read experience.

so this epic W maxes out at 30 frames per second at 8K while the weapon will go up to 75 frames per second and it’s not quite able to shoot at the lowest compression ratios the way that weapon can and the body.

this super 35 sensor is completely new technology they’ve put into the epic W and is only available in helium.

So helium red’s latest sensor technology allows for higher resolution in an s35 frame while maintaining the superior dynamic range found in the award-winning.

the epic w 8ks 35 camera carries on the red tradition of putting industry-leading cinema tools.

super 35 8 K sensor is heated The Rundown 35.4 megapixel sensor an amazing 16.5 + stops of dynamic range red code raw up to 8k 30 frames per second, Apple ProRes 422 HQ up to 4k recorded in camera.

the brain itself weighs 3.35 pounds and it also has the all new integrated red link Wi-Fi antenna.

in the hands of the many epic w captures 8k full-frame motion at up to 30 fps produces ultra detailed 35.4 megapixel stills and offers super 35 lens coverage additionally.

epic w is capable of incredibly fast data which is capable to speeds up to 275 megabytes per second.

Red Epic Price

best of all it is priced at 29500 us dollars for the camera brain setting and a new standard for making 8k accessible to professional filmmakers with superior image quality.

epic w’s 35 million pixels capture subtle features and tiny nuances that can’t be seen at lower resolutions at 35.4 megapixels that’s 4x more resolution than 4k and over 17x more resolution than had like the weapon 8k s35.

epic w combines advanced color science with incredible dynamic range the result is cinema quality imagery with vivid colors plus detailed shadows and highlights to produce the most realistic images imaginable for cinematographers.

and best-in-class resolution epic w with helium-8 ks 35 sensor allows content creators everywhere to deliver ultra-detailed still and motion images.

So 8k resolution offers more than just incredible detail it delivers count less possibilities for reframing vfx visual effects motion stabilization super sampling footage and more resolution.

boils down to the ability to do more with your footage in production all without ever having to re shoot.

the epic w is capable of recording red codraw in proxy 4k apple pro res or avid dnxhr hd formats simultaneously more recording options.

if you need to everything then don’t look any further than red cameras obviously they do order the newest films, and if you want to use camera for a big-budget productions this is the go-to camera build.

and the raw power of red code provides the freedom to choose the workflow.

that’s right for you to take advantage of red’s powerful non-linear editing application red connects pro to cut dailies make color corrections and augment your workflow.

if you’re looking for the accessories to the camera directly from red off their website they’re always very expensive and you can find better alternatives for your money elsewhere for.

Conclusion

So if you want to invest in cinema camera asking me the red Gemini and the red Helium are the best because those are the more affordable on the market using the red in comparison even to the area Alexa Mini.

so if you’re if you’re looking to jump into the cinema camera game and you’re looking at a red camera or anything like that and you shoot a lot of low light or you know dimly lit situation is the Gemini is probably gonna be a more fitting camera for you than like the alien the helium 8k.